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Everything it takes to give your venue a voice.

A creation studio. A visitor companion. Full control. And the measure of what works.


The product, in four moments.

You compose a tour in hours, without an agency.

You open a dialogue with each visitor, inside your narrative.

You arbitrate every word, at any hour.

You see what holds, what loses.

Four moments, one gesture.

  • Create

    Producing your mediation moves under your roof. You assemble a tour in hours, from a complete studio, without an agency, without dependency.

    Pick an editorial intent: to comprehend, to imagine, to reflect. Build the steps from your own texts. The AI assistant can help you phrase, condense, reword; you decide.

    Once published, the tour is live. A wording to fix? A new artwork to add? Minutes, and it's online. Production is no longer an agency build: it's one editorial gesture among many in the life of the venue.

    Discover the studio

    The tour editor in Gidmi Studio.
  • Companion

    Visitors no longer receive a one-way broadcast. They dialogue. They ask the questions they want, dig the details they choose, follow their own pace. Words in the text lead to questions; each answer opens new ones. Always inside your narrative, never outside your walls.

    The companion opens with a QR scan: no app to download, no friction. In each visitor's language, automatically.

    For the adult who wants a narrative thread. For the family seeking footholds. For the visitor in easy-read, in audio, in screen reader. One mediation, many doors in. What classical tools left on the side.

    See the companion

    This man turns his back to us. Before him stretches a sea of fog without end. His very stance is a manifesto, painted in 1818. Where Antiquity placed the hero facing us, German Romanticism turns him around. It is no longer his face that speaks, but what he beholds.

  • Control

    Every word published stays under your arbitration. Your texts belong to you, editable any hour by your team, without asking a vendor for permission. No lock-in: you remain free to leave with your content.

    The AI, when enabled, answers exclusively from your sources. It does not invent. It does not draw from the open web. It says "I don't know" rather than imagine.

    Your visual identity, your tone, your guidelines: the mediation carries your voice end to end, undiluted. That's the condition for the narrative you carry to remain yours, with every single visitor.

    Stay in charge

    Sources

    4 sources · 50 pages

    • Exhibition catalogue, The Romantic Sublime.pdf

      24 pages

      Ready
    • Caspar David Friedrich, monograph.pdf

      8 pages

      Ready
    • carcades-museum.org/the-romantic-sublime

      12 pages indexed

      Ready
    • Object labels, Friedrich room.pdf

      6 pages

      Ready

    + Add a source

    Mediation intent

    UnderstandObserveReflectImagineDeepen

    Voice

    Aurélien
    Narrator · warmPremium

    Instructions

    Present the work so visitors feel the vertigo of the romantic sublime.
  • Insights

    Finally know what holds your visitors. How many came, in which languages, at which paces. Which steps work, which ones lose them. Which artwork gathers the most attention, which point is never explored.

    The measure is concrete, not a dashboard to forget. It feeds the next version of the tour, the next exhibition, the next editorial decision.

    Not to optimise the way a marketplace optimises. To inform editorial work from real observations. It's a loop, not a statistic.

    See the indicators

    The Romantic Sublime · Completion

    5 steps · 7 d

    • The Morning

      92%

    • Gothic Cathedral

      84%

    • The Wanderer

      78%

    • High Mountains

      45%

    • View of Dresden

      71%

    Audience · Languages

    7 d

    • French

      62%

    • English

      24%

    • German

      9%

    • Spanish

      5%

    Attendance

    324 · 7 d

    Mo

    Tu

    We

    Th

    Fr

    Sa

    Su


The Louis Braille Museum, in Coupvray.

One case, four pillars.

The Louis Braille Museum.

The museum tested it on the four dimensions: production, visitor experience, editorial control, measurement. Four pillars, one tool, on a real case.

Create

The tour assembled in-house by the museum's team.

Companion

An easy-read tour produced by the team, screen-reader compatibility, multilingual.

Control

Every word stays under the museum's arbitration, editable any hour.

Insights

Metrics that inform the editorial decisions ahead.

Let's give your venue a voice.

Join the first museums, galleries and heritage sites building with us.

Or write to us: contact@getgidmi.com